Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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James Abbot McNeill Whistler
Symphony on White No 2 Little White Girl (nn03)

ID: 23533

James Abbot McNeill Whistler Symphony on White No 2 Little White Girl (nn03)
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James Abbot McNeill Whistler Symphony on White No 2 Little White Girl (nn03)


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James Abbot McNeill Whistler

b Lowell MA 1834 d London 1903  Related Paintings of James Abbot McNeill Whistler :. | The Little Blue Girl | Tulip and rose | Harmonie en tons chair et noir:Portrait de Theodore Duret | Nocturne in Rosa und Grau | Caprice in Purple and Gold |
Related Artists:
Franz Anton Maulbertsch
(June 7, 1724 -- August 8, 1796) was an Austrian painter and engraver, one of the most renowned exponents of roccoco painting in the German region. Maulbertsch was born in Langenargen and studied in the Academy of Vienna. Through the knowledge of Paul Troger, he was influenced by the Venetian painters Piazzetta and Giovanni Battista Pittoni. He also studied the frescoes by Sebastiano Ricci in the Schönbrunn Palace in Vienna, and frequented Giambattista Tiepolo, who was active in Werzburg starting from 1750. An appreciated frescoer, he received numerous commissions, mostly of ecclesiastical theme. He produced art for churches in Bicske, Kalocsa, Vienna's Michaelerkirche and Piaristenkirche Maria Treu. He also decorated the Porta Coeli in Moravia, the Kromeř Archbishop's Palace and the villa of Halbturn. He also painted a portrait of Narcissus of Jerusalem
John Scarlett Davies
Australian Painter, 1864-1939
Panini, Giovanni Paolo
Italian Neoclassical Painter, ca.1691-1765 Italian painter, architect and stage designer. He was a highly prolific and versatile painter, best known for his numerous vedute of Rome, many of which focused on the remnants of the city's Classical past. Ceremonies and festivals often feature in his vedute, which thus constitute a lively documentation of contemporary topography, lifestyle and customs. In contrast to Bernardo Bellotto and Gaspar van Wittel, his treatment is picturesque rather than rigorous; he liked to enliven and animate his views by adding numerous figures. He worked exclusively in Rome and by the end of his career was the head of a thriving workshop that included the Frenchman Hubert Robert (in Rome from 1754) and Panini's son Francesco Panini (b 1738).






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